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JOANNA
 
GOULD
encaustic
EXHIBITIONS

BIOGRAPHY

Joanna Gould is an American painter working in the ancient wax encaustic technique. Fusing oil pigments and found objects with layers of translucent beeswax and damar resin, she creates works of art which have been described as dreamlike and mystical with a purest light. Highly influenced by place, her paintings are lyrically obtuse. Light and dark dance with seasonal hues and shapes suggesting nature in its most modest form.

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Encaustic literally means: burning in, and any true encaustic painting involves heated wax and a process of fusing the layers. The pigment is suspended in the wax medium, and heat acts as the invisible solvent, much as turpentine acts as an evaporating solvent with oil paints. Once the wax is molten, the colors are mixed on a hot palette and when applied to the substrate are fused with heat to bind and set. 

 

Exploring, experimenting and playing in wax is where Joanna finds true happiness. The influences around her everyday life is what she paints. Genre in landscape, is much more than pretty trees, it is a representation of the human spirt merging with earthly environments. A transcendental picture.

EXHIBITIONS

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01.2024    Luca Studio & Gallery, Invited Artist, Fort Mill, SC

03.2022    White Tulip Gourmet, Invited Artist, Mineral Springs NC

07.2021    White Tulip Gourmet, Invited Artist, Mineral Springs NC

05.2020    Marianne Oberg Foundation for Spiritual Art 2020 Spiritual Artist Grant, Invited Artist, Charlotte, NC

11.2018    Art Party 3rd Annual Juried Exhibition, Rock Hill, SC 

08.2018    Spartanburg County Public Libraries’ 6th Annual Juried Exhibition, Headquarters Library, Spartanburg, SC

06.2018    South Carolina Festival of Flowers Juried Art Show, Arts Center of Greenwood, SC 

05.2018    Art Space @ Overhead Station, Rock Hill, SC  

10.2017    National Juried Exhibition; Wax Poetic, FABulon Center for Art and Education, Charleston, SC 

08.2017    Taste of Tidewater 10”x10” Art Exhibition, University of Maine Gardens at Tidewater Farm, Falmouth, ME 

05.2017    Once Upon a Time in Maine, The Brick Store Museum, Kennebunk, ME

03.2017    National Juried Exhibition; Freedom of Expression, Cape Cod Museum of Art, Dennis, MA 

03.2017    Solo Show; Ethel M. Weymouth Art Gallery, Wells Public Library, Wells, ME
02.2017    Solo Show; Perceptions in Wax, Speers Gallery, Kennebunk Free Library, Kennebunk, ME

01.2017    Nasty Women | Art Exhibition; The Knockdown Center, Maspeth, Queens, NYC

01.2017    Nasty Women Exhibition- AVL; Clayspace Co-Op- Asheville, NC

01.2017    Solo Show; Rochester Public Library,  Rochester, NH

12.2016    POP!, Biddeford, ME

11.2016    Pecha Kucha Kennebunkport, The Atlantic Hall, Cape Porpoise, ME

11.2016    Fall Ceilidh & Silent Auction, York County Community Action Corp, Nonantum Resort, Kennebunkport, ME

10.2016    Juried Show: Diversity, awarded BEST IN SHOW, Sanford/Springvale Art Association, Sanford, ME

10.2016    Duo Father/Daughter Show, The Apple and Her Tree, Richmond Memorial Library, Batavia, NY

08.2016    Taste of Tidewater 10”x10” Art Exhibition,  University of Maine Gardens at Tidewater Farm, Falmouth, ME

05.2016    Little Pond Gallery, Orr’s Island, ME

03.2016    Baby Jasmine’s Angel Nursery, Adventist Bolingbrook Hospital, Bolingbrook, IL

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EDUCATION 

06.2010     The Arnold Arboretum Landscape Institute at Harvard University, Landscape Architecture  

05.1999     The Art Institute of Boston at Lesley University,  BFA  Graphic Design

Portfolio

click image to view painting in full

Head In The Clouds
untitled
Unit 2 Weather
Passeggiare
Turbid Waters
View From Ridge
Twenty-Sixty  |  Sold
Twenty-Forty
Brine
My Song  |  Sold
Abandonment
Take Flight  |  Sold
Muse  |  Sold
Sugarplum
My Words  |  Sold
The Clearing  |  Sold
Open Arms
Willowed Water  |  Sold
Upheaval
Wonderwall
Prelude
Hold Me Through the Fall  |  Sold
Fog Rolling at West End
North Conway Draped in Gold
Low Tide on Drake's Island
Falls Edge
A Day at Mother's Beach
West End at Dusk
Surge at Mothers Beach
Walker's Point in Fog
Riptide
Amazing Grace
Moses's Sky
Voices Carry
Sediment In Gray
Open Air IV
Open Air V
Open Air VI
Open Air
Open Air II
Open Air III
Second Sunday  |  Sold
Second Monday  |  Sold
Ash
Rise and Shine
Tangerine Dream  |  Sold
Shining Seas
Squirt
Watercolors
Treuse
Raspberry Mead
Sea Smoke
Carpe Diem  |  Sold
The Gift  |  Sold
Surface
Reflect
Early Tide
DigDeep  |  Sold
Dragnet |  Sold
Burning Cove
Speak Through Me
Knee Deep
Permeate
For Sue  |  Sold
Moksha  |  Sold
Sevens  |  Sold
Charlotte's Sky I
My Gold Within
Long The Way  |  Sold
Untitled I
Red Rocks
Solstice
Sundered Sea
Charlottes Sky III  |  Sold
Ascend  |  Sold
Close To My Soul
Above  |  Sold
Late Winters Rise  |  Sold
Charlotte's Sky II  |  Sold
Milky Waters
CARE

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CARE

What is it?

Encaustic is a beeswax based paint that consists of beeswax, resin, and pigment. It is kept molten on a heated palette, applied to a surface and reheated to fuse the paint into a uniform enamel-like finish. 

 

Encaustic paintings are extremely durable due to the fact that beeswax is impervious to moisture. Because of this it will not deteriorate, it will not yellow, and it will not darken. Examples of encaustic paintings have survived from the Greek and Roman empires and are still as vibrant and colorful today as they were when they were painted. 

 

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Proper Care of Encaustic Paintings

After completion of an encaustic painting there is a curing process of a few months. During this time moisture will work its way to the surface and cause a slight haze. If your painting looks dull, or gets dirty it can be wiped clean with water and buffed (gently, firmly but not overly vigorously) to a high gloss using a soft lint-free cloth such as cotton. This sheen dulls over time and can be brought back by repeating the process.

 

Encaustic paintings do not have to be varnished or protected by glass. The painting is stable under normal temperatures. Indirect sunlight is perfectly fine, however, direct sunlight is inadvisable for wax-based paintings. Extreme cold can make the wax more brittle and susceptible to cracking. Other inadvisable locations within your house would be any spot near heat sources (such as fireplaces, over the stove in the kitchen, etc). Direct heat or temperatures in excess of 130 degrees may begin to soften the work. Very hot days can soften the surface very slightly, but will cause no real damage to the painting. If the wax on your painting does soften, and/or dulling occurs, wait until the painting has hardened (by moving it to a cooler location) and buff it with a soft cloth. Always protect the surface and edges of the encaustic painting when moving it. Although the surface is completely dry, encaustic paintings can be easily scratched, gouged, or chipped if handled roughly.

 

If you have any additional questions on the care of an encaustic painting, please feel free to contact me.

 

© 2016  JOANNA GOULD ENCAUSTIC

JOANNA GOULD ENCAUSTIC     720 WEST CHEVAL DR, FORT MILL, SC 29708    JOANNAGOULDENCAUSTICS@GMAIL.COM    617-817-8749

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